the box was like the dice it held (ode to chance), 2021

poem written as part of the exhibition Cooking With John (curated by Amalia Lindo + Jacqueline Stojanović)
at Haydens, Melbourne, 2021

double-sided A4 riso-print
design & print by Adam Cruickshank
edited by Tim Coster



'Missing box, loose shoe.'
essay in Un 15.1: Surplus (ed. Snack Syndicate), 2021

written for un Magazine's 15.1 issue on Surplus, edited by Snack Syndicate
published online and in print in Melbourne, 2021



written as part of Otherwise Possibilities, a Critical Art Writing workshop led by Astrid Lorange via Free Association
published online by Free Association in Melbourne, 2021



'cc: mug (on the work of Ian Milliss)'
in Terms & Conditions Compendium, 2019

written for Adam Cruickshank's work Terms & Conditions 
in the exhibition BOOKWORKS at MUMA, Melbourne, 2019
published by True Belief in Melbourne, 2019



quail eggs eaten from the hand in fog make everything aphrodisiac, 2019

written in Rotterdam, autumn 2018
published by True Belief in Melbourne, 2019



                  on boiled milk
to the skin                        
, 2019

written during sabrina soyer's how to become... workshop at The Cheapest University, Paris
first published in how to become a body double, DQ press, autumn 2017

re-published by True Belief in Melbourne, 2019



mouth mouth, 2019

written to accompany the exhibition mouth mouth
with artists Ceel Mogami de Haas, Miriam Kongstad, Toon Fibbe & Laura Wiedijk
at BIKINI Space in Basel, CH, Summer 2019

re-published by True Belief in Melbourne, 2019



'sentimental soX'
in TAKE NOTE SOFT Hands SOFT hands, 2018



orange that dots the i, 2018

text/quotebook/notebook
published by PEARS Books in Melbourne, 2018

(if you would like one, there are a few copies left – e-mail me!)



'(((;)>  pigeon guano'
in Guano, 2018

text for Guano, a project of guano-themed writings to be sent by post
published by Ida Lennartson in Berlin, 2018



using allyou.net